Sometimes called speculative fiction, a genre of writing that is concerned with a world removed in some fundamental way from our own, whether in time, attitude or knowledge. It encompasses many sub-genres such as HardScienceFiction, where the implications of possible scientific advance are explored, SpaceOpera, which usually includes scantily clad alien babes and BugEyedMonsters, and Utopian or Dystopian visions of the future. Depending on whom you ask, the line between ScienceFiction and fantasy tends to blur, and AlternateHistory, which explores the result of some change in the past, doesn't fit comfortably under either term, but is often discussed with both. ScienceFiction explores what-ifs. Like what if there were FoodFactoriesInOrbit? ---- SciFi is my favourite genre of fiction. I first starting reading SciFi at the age of sixteen when I started work in a supermarket. I often spent my lunches reading old SciFi books purchased from the local market. -- ChrisWatson ''This guy is my husband, and I tell you, he reads too many damn SciFi books! -- AnnWatson'' ---- "ScienceFiction is something that ''could'' happen - but usually you wouldn't want it to. Fantasy is something that ''couldn't'' happen - though often you only wish it could." ArthurCeeClarke in the Introduction to "The Collected Stories of Arthur C. Clarke" ''(Yes, that's just the sort of thing one would expect Clarke to say. It's subtly wrong, in a nasty way, but it's close enough for most purposes.)'' ---- '''Film:''' *PlanNineFromOuterSpace (Cheap Sci''''''Fi), Gattaca, all the StarWars movies. *'ItCamefromOuterSpace', 'ForbiddenPlanet', 'TheDayTheEarthStoodStill', et al. ---- '''Book:''' *AsimovsFoundation *most of PhilDick's work, of which some is genuinely dreadful and some is great philosophical literature masquerading as junk. ''Please comment on which is which in the PhilDick page'' *RedGreenBlueMars *MemoryOfWhiteness *BookOfTheNewSun by GeneWolfe - Some of the best science fiction I have come across. *LensmanSeries by EeDocSmith *1984(NineteenEightyFour) by GeorgeOrwell *TheShockwaveRider by JohnBrunner ---- '''Magazines''' * Locus Magazine - What's New BEST for Keeping Up http://www.locusmag.com/Whatsnew.html * Analog Magazine ScienceFiction and Fact - http://www.analogsf.com/0010/issue_0010.html * Asimov's Science Fiction - http://www.sfsite.com/asimovs/ * Fantasy & Science Fiction - http://www.fsfmag.com * Great ScienceFiction Authors: http://people.qualcomm.com/dburke/ '''Ezines''' * SciFiction - http://www.scifi.com/scifiction * Infinite Matrix - http://www.infinitematrix.net * Strange Horizons - http://www.strangehorizons.com * Speculon - http://www.speculon.com (defunct) * EventHorizon - http://www.eventhorizon.com/sfzine/ (defunct) ---- '''Key Outside ScienceFiction Web Pages''' * ScienceFiction on BookShelved * Science Fiction, fantasy, and horror from Infinity Plus http://www.users.zetnet.co.uk/iplus/ * SciFi.Com http://www.scifi.com/ - ScienceFiction TV channel plus more * SFF Net http://www.sff.net/ * The SF Site: The Best in Science Fiction and Fantasy http://www.sfsite.com/ * Sci-Fi Wiki: WoytexWiki http://www.pobratyn.com/phpwiki (since May 2003, defunct!) * Science Fiction Writers of America: http://www.sfwa.org * Beyond SciFi: SonseOne ---- the list seems to be coming along nicely, but we could use a concise definition. Maybe: : Fiction that is as based on technology or science extrapolations or presuming some key change in knowledge compared to now. Hard ScienceFiction requires that it be strictly self-consistent and believable [''meaning no "magic" may assist the special effects'']. -- AndrewMcMeikan ---- ''Certainly ScienceFiction, like science itself, is based on the assumption that the universe is knowable even though the greatest part of it may be unknown and may be destined to remain mysterious for the life of any of us, or, indeed, the life of all of us, by which I mean the human species. The knowable universe has no room for the supernatural, or those experiences that by their very nature can never be "known." To bring experiences of the transcendent or the ineffable into the natural world is to destroy one or the other.'' Are you saying here that the science-fiction worldview has no place for the divine, or the mysterious, or anything that cannot be cleanly classified as some sort of scientific phenomena? I can think of a couple of ScienceFiction authors who might argue against such a distinction, including AlanMoore, WilliamBurroughs, and KurtVonnegut. -- francis I agree with Frances. Whoever, wrote the above, why do you think that with ScienceFiction? Many writers factor the unknown or some sense of the mysterious with ScienceFiction. -- sg I think the key word in the original text was "know''able''" rather than known. Also, I'm not sure that WilliamBurroughs can be classed as ScienceFiction within the definition we're discussing. And KurtVonnegut is even more difficult - I'll grant you something like "Galapagos" is SF (Darwin again...), but SlaughterhouseFive, say, is much less easy to pidgeonhole. Agreed. I'm not sure I would class WilliamBurroughs or KurtVonnegut as ScienceFiction either. -- sg ''KurtVonnegut has written about: new molecules (Ice Nine in "Cat's Cradle"), evolution ("Galapagos"), the mechanization of all work ("Player Piano"). WilliamBurroughs, in "Naked Lunch", writes about topics such as cloning, psychic mind control, and (if I remember correctly) genetic engineering. I know that most ScienceFiction fans don't consider the two authors part of the genre, but I've never understood concretely why. Can someone offer a useful definition of the genre that excludes the two?'' ''As for the question of "knowability", I don't understand what use there is in a distinction between the "known" and the "knowable". If that's simply the distinction between what we rationally know today, and we can rationally know in the future, that doesn't really address the issue of knowledge that is transcendent, or mystical, or instinctive. -- francis'' You raise good points. I have to think about it. There is a distinction clear and concise between the "known" and the "knowable". If you start with a philosophical "I think therefore I know" and proceed along the lines of how one comes to "know". Knowledge is proliferated, the "known" is what is in ones "mind set". The "knowable" is that external to that mind set which can become a part of that set. In a secular sense, a library is full of "knowable" knowledge, a university is an agent of change in the conversion of what is "knowable" into what is "known". If by transcendent, mystical, instinctive you mean thoughts not extracted from the secular "knowable" mentioned, you are talking about ideas, which seem to come from nowhere, when in fact they do come from somewhere, even if that somewhere is the subconscious, or a spiritual awareness. Ideas also come to be known, but must be proliferated through oral or written communication to be "knowable". ''Also, consider that heavily-explained magic can still fit into a SF paradigm. Consider the treatment of magic in some LarryNiven stories, such as "Burning City" or the short story "What Good is a Glass Dagger?" Magic exists, but it involves a natural resource, "manna", which is channeled by a mage and is limited in quantity. Although it's a supernatural phenomenon, it's explainable, quantified, and subject to its own "natural" laws. It may be outside of our everyday experience, but since it can be understood, I think it still qualifies as SF, or perhaps "ScienceFantasy" (see below). -- JosephRiesen'' ---- My understanding was that Vonnegut's resistance to being labeled SF was a marketing ploy, which he has softened on considerably now that he is safely famous. I'll never forget a friend of mine, as I was trying to explain that not all SF sucked, who said, "But Vonnegut can't be science fiction, Vonnegut is good." She never was too fond of logic (and at least admitted it). My personal definition of SF is that genre which attempts to disprove all definitions hazarded for it. -- JohnAbbe ---- MaryWollstonecraftShelley provided as good a definition of SF as any in her preface to FrankenStein: The event on which this fiction is founded has been supposed, by Dr. Darwin, and some of the physiological writers of Germany, as not of impossible occurrence. I shall not be supposed as according the remotest degree of serious faith to such an imagination; yet, in assuming it as the basis of a work of fancy, I have not considered myself as merely weaving a series of supernatural terrors. The event on which the interest of the story depends is exempt from the disadvantages of a mere tale of spectres or enchantment. It was recommended by the novelty of the situations which it develops; and, however impossible as a physical fact, affords a point of view to the imagination for the delineating of human passions more comprehensive and commanding than any which the ordinary relations of existing events can yield. ---- To see the original essay "The Worldview of Science Fiction" by James Gunn (with the proper attributions), see http://web.archive.org/web/20030418063721/http://falcon.cc.ku.edu/~sfcenter/sfview.htm. -- KyleBrown InsertByLinking ---- See also: ScienceFictionGoldenAge ScienceFictionBritish ScienceFictionFandom ScienceFictionNewWave SciFiAuthors ScienceFictionWikiForum in PublicWikiForumsWanted DeviantSciFi Some of the GreatBooksList''''''s recommend specific ScienceFiction books - see ScienceFictionBooksToConsider. Can one distinguish between ScienceFiction and ScienceFantasy? Does anyone even have a good definition? I see the two of them lumped together often, and every now and then a mellow argument breaks out between various people I know. I have yet to see a good, solid definition that makes any sense... ''Science fiction differs from science fantasy in that science fiction must obey the Laws of Nature.'' (That's one view.) I think 'ScienceFantasy' is sort of an arbitrary assertion, when you want to describe a novel with a bit of science that also contains fantasy elements. For instance, consider a lot of work by RogerZelazny, such as Creatures of Light and Darkness, or Changeling. Or, for that matter, where do Piers Anthony's 'Blue Adept' novels fit in? There's science... but there's fantasy. As such, I think 'ScienceFantasy' is sort of a warning label to explain that there's ''real'' magic or something similar going on, not just more "easily explained" processes like psionics. Generally speaking, when supernatural elements become involved that aren't explainable (and are more than just philosophical) in the context of the book, that's where fantasy leaks in. Just my two cents. :) -- JosephRiesen ---- One of the problems in defining science fiction is that there are at least three broad definitions that I'm aware of: *There's the more-or-less literal definition: Science Fiction is fiction about science - "hard" SF - fiction where the story and/or setting relies on scientific or technological advances and explores the consequences of them - often characterised by the author showing their working (in the text, in appendices, or in notes published separately). *Then there's the intuitive definition: Science Fiction is fiction that includes enough of the marker tropes of science fiction - if it's set in space, involves people traveling by some kind of hyperdrive, and has some kind of aliens present, then it's science fiction by this definition, even if the actual science is completely lacking - StarWars (particularly the original trilogy) falls under this definition. *Thirdly there's the commercial definition: Science Fiction is fiction that's marketed primarily toward science fiction fans - it's the stuff that ends up shelved under "science fiction" in your local library. Barring freak occurrences, everything that comes under this definition will also fit at least one of the other definitions - it's the anomalies that don't fit this definition that are most interesting. Take, for example, a story about a man with a genetic condition that means he travels in time unaided: Poul Anderson's novel ''There Will Be Time'' (shelved under SF) or Audrey Niffenegger's ''The Time Traveller's Wife'' (shelved under General Fiction) - the latter meets all the criteria for fairly hard SF - it is the postulation of a single new technology/discovery (the genetic condition that allows him to travel through time) and the exploration of the logical consequences of it - but it's marketed, not to SF fandom, but to the generic reading public... ------ Tech''''''Land's 5 most underrated sci-fi flicks: http://techland.time.com/2010/01/09/underrated-sci-fi/ ---- CategoryScienceFiction